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May 22, 2025
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Robyn Ryle's avatar

Thanks so much, Cymbaline! Glad you’re enjoying them.

David Perlmutter's avatar

"Tell yourself you are not writing a NOVEL, they’ll advise. You are writing a scene. You are writing a chapter. You are writing a sentence."

In my case, it's more like "you are transcribing an oral history", since I write so often in first person.

Robyn Ryle's avatar

That's an interesting way to think about it. Does it make it easier?

David Perlmutter's avatar

Definitely. I’m a listener more than a talker in real life.

Robyn Ryle's avatar

Yeah, I could see where it would be useful to just think of yourself as a transcriber. Cool perspective.

David Perlmutter's avatar

I have an MA in History, so I just saw it as a way to apply a perspective to things that really didn’t happen as opposed to things that did.

Asha Dornfest's avatar

I just love these posts, Robyn.

Robyn Ryle's avatar

Thanks so much, Asha!

Barbara Shoup's avatar

LOVE these Van Gogh posts! In this one: Although, there’s also the possibility that maybe for a long time and in many places, the realism that perspective implies just wasn’t important. Artists were more interested in portraying hierarchy or spirituality. Who cared about making the horse look real?

Robyn Ryle's avatar

I know, right? If you think about it, realism is just recreating what our eyes can already see. And, sure, it’s amazing. But also, you can see where it might not occur to people to try that when there are so many more interesting and important things to do.

Barbara Shoup's avatar

Or maybe, at least sometimes, they ARE painting what they see. Once, walking in the woods at dusk, the pine trees were BLUE. I mean, seriously blue.

Robyn Ryle's avatar

It is amazing how weirdly colored the world is once you begin to really pay attention. Another thing I love about Van Gogh and about thinking about art.

Barbara Shoup's avatar

Yes!

Kelcey Ervick's avatar

Finally catching up on this Van Gogh series! Really enjoyed it and appreciated so many insights and connections to your own work (and the work of creating in general). I especially loved learning that Van Gogh HAD to see what he painted and always painted in season.

Robyn Ryle's avatar

I know, isn’t that sort of amazing to think about? There a few exceptions, but even the exceptions tell you something. He kept trying to drawn and paint this image of the sower over and over again, which has a lot to do with his father and his religious mania. That’s not from a model (you can sort of tell). Also, there’s a whole series of a woman (Madame Rouline) where he’s imitating a painting by Gauguin. Oh, also the one of his mother is from a photograph, because he hadn’t seen her in five years! Also, she probably wouldn’t have sat for him, anyway.

Glad you’re enjoying these! They’re really inspiring to me as I take a watercolor class and try to figure out what the hell I’m doing.